Work that Transcends Boundaries
Art isn’t finished when it’s made—it lives on in how people engage, react, and remember. My work is visceral, precise, and full of conviction. Every piece serves a purpose, whether drawing the eye in a gallery, prompting reflection in the streets, or living on in the minds of those who experience it—transforming into something new.
For over 20 years, I have pushed the boundaries of performance art, photography, street installation, and painting, bringing passion and innovation to every medium I explore. My work often challenges perception, sparks dialogue, and always reflects a relentless love for the creative process.
Under my street name, I leave work in public spaces—messages meant to be seen, not sold. In 2017, I wrote LOVE across Skid Row, a piece built out of front-page headlines that defined history—some triumphant, some tragic. Some of my art demands attention. Some waits to be found. Whether fleeting or permanent, every piece is a statement—meant to provoke, challenge, and connect.
Each dot in Sacred Place is a meditation, a prayer, a moment of stillness made visible. Through deliberate repetition, the painting becomes a field of energy, the composition swirling around a void. At the heart of the piece this empty circle remains — an untouched space representing the holy nothingness, the uncluttered center we should hold within each of us. It is a visual invitation to pause, reflect, and step into presence.
Something & Nothing exists in duality—two sides of a single form, each holding a different truth. One side is the void, the vast nothingness before existence. The other is movement, expression, the language of creation itself. Painted on plexiglass, the piece is multidimensional, shifting with light and perspective, inviting the viewer to engage with the tension between emptiness and emergence.
A study in balance and disruption, Zig/Zag plays with perception through a seamless inversion of black and white. The bold, rhythmic pattern is split at the center—a shift that feels both abrupt and inevitable, like a fault line forming beneath the surface. The piece invites the eye to move, to follow the energy of each line as it flips, mirroring the constant push and pull of opposing forces. Structure and chaos, stability and change—Zig/Zag exists in the space between.
In 2017, I created LOVE, a street art piece on Skid Row built from front-page headlines that defined history—some triumphant, some tragic. The letters were shaped by the very moments that have tested and transformed us, a reminder that love exists in both resilience and hardship. This piece is about loving your neighbor. It’s about seeing, acknowledging, and caring for one another, especially in spaces too often ignored. Skid Row is a place of survival, but it is also a place of humanity. LOVE was for any passerby—a moment of reflection, an invitation to look closer, to care not just about the word, but about people living without much of it.
The Love Series
Love without conditions. Love without expectations. The Love Series is a street art installation that redefines connection—five distinct posters placed in public spaces, each a quiet rebellion against transactional affection. These pieces challenge the way love is often measured, reminding the passersby that real love does not seek control, validation, or reciprocation. Positioned on Main Street in a small town in Colorado, The Love Series disrupts the noise of daily life with a simple, powerful truth: love is at its most authentic when it expects nothing in return.
This painting takes a simple, everyday object—a milk carton—and gives it a sharp, satirical edge. With a familiar flag stamped on the front and the word SPOILED underneath, it challenges the viewer to consider what has gone sour: the product, the system, the culture? It’s a straightforward but pointed reflection on excess, waste, and corruption, told with a little smirk of humor.
Each piece I create is a reflection of time, thought, and instinct, shaped by the tension between what is seen and what is felt. I believe in work that lingers, that shifts the energy of a space, that makes you think, and especially appreciate beauty. If you find yourself drawn in, there’s a reason. Let it sit with you.